"The world is bigger than the logic of identity states that for each word corresponds to a precise meaning ." These are the words of Francesca Bonazzoli , art critic for Corriere della Sera signing the afterword of the new poetry collection by Giuliana Rigamonti . Words that are the answer to a specific question : why poetry , a genre so old , it continues to attract us ? There is no universal answer , it must have something to do with an innate need in all of us to see a surplus of sensiin what we read and reply , however , detail , cut just on the activity of this lady of dazzling beauty, dark and bright at the same time , he writes of silence that knows how to listen , who knows and frequents the shadow inside of himself and the blinding light of the desert or the darkness of the tomb where his lead " campaigns of Egypt." Perhaps the fact that Giuliana rigamonti is a leading expert in hieroglyphics - writing Bonazzoli - it has something to do with his ability to use symbols, to be able to speak of the "ten most two lives delal rain " or " dance as long as the snake thirst . "
Even "The cherry red kisses" as the previous collection "The berry of the Night" (Scheiwiller Superpremio the 50th San Domenichino in 2009) unfolds in chapters "of a poetic story that coagulates around experiences and preserved in the 'nest' shadow 'which is the heart, "writes Laura Novati who wrote the preface of" The cherry red kisses ":" appointments are the soul rather than the days of the rosary everyday life. "
That's so Sondrio where he lives, the vineyards, the snow but also the sea, and the light beloved island, Pantelleria, and the yellow gold of the land of Egypt, a powerful lure. Another place of the heart, for the heart.
Here's affections, life flowing, discard and share resumes when "spring breaks". They are "red kisses" are coming.
Sara Baldini
La Provincia Settimanale