«Così che il silenzio non basta, / bisogna raccontarlo, indicarvelo / col dito - un rumore / ininterrotto, / fermarsi: ecco. ». Esigue parole, delimitano, esatte, il perimetro espressivo della psiche. Esistere «in una parte infinitesimale delle mani». Exist and touch the empty overturned being "more and the same." Empty, rescues Cioran, as mystical temptation, possibility of prayer, the moment of fullness. Vacuum that "fixes the folds of our steps." We speak of "variances" excellent first collection in verse by Maurizio Giudice, "Giuliano Ladolfi Publisher" (series "Pearls poem" n. 59, directed by Roberto Carnero). "Judge sculpts, he just a glimpse of life to open wide horizons of meaning - writes with reason Ladolfi Introductory Note -. The inner world is not expressed by an objective correlative, neither by the reconstruction of a lyrical, but the union between emotional perception and the world. He does not describe, comes immediately to the reader, involves him, provokes him, does not define, dazzles and leaves in his eyes flare to light horizons that a common eye can not see. " Maurizio Giudice, Catania Class '79, has a degree in Communication Sciences and specialization in Semiotic Disciplines. His poignant speech titled poetry and the possibility of the same act as mediator between man, the "secret rules of nature" and the silence that needs to be told. "Art, philosophy can be very useful tools in this perspective. In "The Purloined Letter" of Edgar Allan Poe, what we seek is before our eyes, but we do not see. Buddhist thought believed that they were the habits, automatisms of the mind, to which we cling, to prevent viewing of reality.
Poetry can bring about change, create a space of silence that allows us to listen, producing a break in the psychic forms that open the way to a confrontation with the world. Poetry lends itself to a vertical use of language (I use the term "vertical" not in the sense of ascent, of transcendence, but to indicate the fact of staying in the same place and do the same things, little by little, more and more clearly) . If in prose, for example, the horizontality is a feature difficult to avoid, in poetry, language can not be used to arrive at something that is outside of the language, but to open a space within its structure. In this way poetry can meditate on the language and not just talk about it, because it observes the making of the word, its progress. This is one of the possibilities of poetic writing, but it is said to be realized at every opportunity: some writers may remain a side issue, because others are the aesthetic goals. "
A poet, we conclude with a thought of Marianne Moore, "speak the language but the meditator: as well the power of the lion is in his paws."
Grazia Calanna