The text is rightly ascribed to the series of representations of postmodern man, the homo viator, who rebels against dissatisfaction with the non-sense codified in existential thought, without however being able to find its own way.
Like Caproni's "ceremonial traveler", he knows he has to get off the train, but he doesn't know when, he doesn't know where, he doesn't know why, and yet he sets off, yet he explores himself.