Crasis that unites the terms "instant" and "enchantment", the instantaneousness tries to stop on paper the immediate with the imperfect arrow of poetry. As with all ambitious mistakes, the resulting failure is so intense that it replaces the object of love.
Far from the binding weight of History, which is always posthumous, and of the History of Art, burdened by the concept of representation (and representation), the instantaneousness pursues the immediate with the retina of sensation, where perhaps only the mystic manages to grasp it (when he falls into neglect, forgetting himself).