Intolerant of any enclosure, Marisa works to discover other sides of the world and, above all, other ways of saying it. She elaborates an original form of dialectical poetry, introducing the thorn of contradiction into the facets of existence (anguish, death, life, salvation, illusion, disappointment). He notes the catastrophe in progress (the end of humanism) and hurls his verses away from the media logorrhoea.
Inside Fringes of Interference, the reader does not find lyrical apparatuses, but gestures of writing, vertiginous dynamics, fluctuating movements, typical of one who does not want to describe, but to feel, to perceive acutely, to interrogate the oneiric dimension and inner fractures (from Donato Di Stasi's preface).