By virtue of this, of her own γλῶσσα - and, by synecdoche, of her own song - the author proposes the wearisome act; indeed, the poetic gesture preserves a prolongative state of consciousness of a habitual horror and gruesomeness; which concur in founding an existential fielding in which everyday life is contextualized as catabasis in the atrope, consisting in turn in the diabolical tartar of res and φαινόμενον.
No less indebted to traditionally shared classical culture, the poet's saying establishes, by loading it with the tragic πάθος and without insignificant nugae to give weight to, a πάθει μάθος that, availing itself of mythological and symbolic figuration even in the subjects it introduces into the writing, becomes the true measuring stick of esperability - never caducating, however, its pragmatic valence, to be understood as cosmic dispossession and disappropriation (Carlo Ragliani).