For each of these films the respective author points out the myth of reference and the philosophical problematic that emerges, with references to the con-crete personal and social experience of men and women today.
An unusual approach that is aware of its limitations - many other films and many other myths could be identified for food philosophical reflection - is intended only to serve as a tread from similar attempts to grasp the connection between cinema and philosophy through the myth.
Paolo Cremisini
Il Segnalibro